![]() ![]() Due to a lack of a raise in her payment, however, Brooks left Paramount. In each film, Brooks beauty and talent is exhibited–she easily controls of the viewer’s thoughts and vision on every viewing occasion. Due to her successful time as a dancer and her radiating energetic freedom, she was recognized by the film industry, recognized by Paramount, and she began her career as an actress.īefore creating remarkable works of film in Europe, Louise Brooks acted in the United States, having parts in comedies and dramas such as Love ‘Em and Leave ‘Em, It’s the Old Army Game, A Girl in Every Port, and Beggars of Life. She tore away at Victorian constraints and became a true flapper of the 1920s. Through her career in dance, Louise Brooks broke the molds of femininity by doing what she wished to do. In the year 1925, Brooks joined the Ziegfeld Follies, becoming one of the top dancers of the production. She further exemplified her wonderfully hedonistic stance on life by traveling to Europe and dancing in nightclubs, being the first person to ‘Charleston’ in London. Soon after her time with the Denishawn Dance Company, Louise Brooks joined George White’s Scandals as a chorus girl, performing in terrific, sometimes risqué, acts. Brooks took part in performances that encompassed a modernity unseen before, elements that were new and different. In the year 1922, Brooks joined the Denishawn Dance Company, dancing under the greats of Ruth St. With exposure to the arts from an early age, Brooks was destined for a career on the stage and on film–dancing and acting for all the world to see. Louise Brooks was born in Cherryvale Kansas in the year 1906. ![]() This film’s name is Pandora’s Box and the mesmerizing woman is Louise Brooks. As the woman stares at the man, you, as a viewer, cannot stop yourself from staring at her. The woman’s shining raven bob frames her heightened, alluring beauty, as well as her dark, memorable eyes that hold within them this unparalleled seductive energy, this independence, this undeniable awareness of who she is and what she herself desires. The woman begins to pour a drink for the elder man– a coquettish glint sparkles in her eye, as a mysterious smile charms and intrigues all who see it. She approaches the man with an unmistakable confidence, wearing a fluid dress that awakens the senses in its light, sheer drapery and silk accents. A few seconds into the film, a woman magically enters the frame, exiting a door and taking notice of an older man a few steps from her form. The notes of music start to sing delightful songs, as the black and white hues of coloration mingle together in a lovely, memorable way. ![]() This spectacular and groundbreaking exhibition offers a playful interpretation of the Chloé spirit, featuring signature pieces from each of Chloé’s nine key designers-from the Maison’s progressive founder Gaby Aghion, to its present creative director Clare Waight Keller.A beautiful film begins to play on the screen… It may come as a surprise that Chloé is celebrating its 60th anniversary this year, but a major retrospective of the brand opening September 29 will remind us of the many iconic looks and moments the French house has celebrated over the last 60 years.Ī watercolor by famed illustrator Antonio Lopez for Karl Lagerfeld's S/S 1983 collection for Chloé.Ĭurated by Judith Clark and staged in the newly refurbished galleries of Le Palais de Tokyo in Paris, Chloé Attitudes is the very first exhibition dedicated to Chloé, a celebration of the Maison’s 60-year contribution to fashion culture. Some fashion houses remain fresh and modern, no matter how many decades of brilliant style they have produced. The co-chair lineup has us guessing already: Rooney Mara, Riccardo Tisci, Lauren Santo Domingo and Anna Wintour.Ī photo by Guy Bourdin for Vogue France, February 1979 of Chloé looks. And just think of the possibilities at the annual Met Gala, which inaugurates the show on May 6. ![]() It’ll be curious to see what the crowds will turn out in for this show. And for good reason!Ī peek at some of the images to be included in the exhibition-not to mention that insane list of designers who will be featured: Haider Ackermann, Miguel Adrover, Azzedine Alaïa, Boudicca, Ann Demeulemeester, Dolce & Gabbana, Andrew Groves, Marc Jacobs, Rei Kawakubo, Alexander McQueen, Rodarte, Alexander Wang-has already inspired us to slash some t’s and pin our jeans. Following this year’s cerebral Costume Institute exhibition, Schiaparelli and Prada: Impossible Conversations , today, the Metropolitan Museum of Art announced its plans for next Spring’s show: Punk: Chaos to Couture. Apparently the concept, which highlights the origins of the punk movement and draws direct connections to haute couture and ready-to-wear creations that it has inspired for the past three decades, is one that the Institute’s chief curator, Andrew Bolton, was mulling over for years. ![]()
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